Art calls the tune at RAIMON BUNDO. And this year simplicity drives the brand's core values, concluding that sunrise, as an art, more than suffices to inspire the creative streak in both lines.

A clean and clear show, where the light of the rising sun alone reveals creations that need no large beads to look stunning or to convince the spectator that the collection is a winner. This is why William Turner's sunrises are the point of departure for everything that is going on.

If anything defines this collection then it is the freedom with which both designers have developed their designs, each one remaining true to their style in each one of the two lines. On the one hand, the Raimon Bundó line designed by Cristina Arana rescues the different elements and patterns adapted with the utmost exquisiteness, leading the designer to the necessary recovery of the wedding dress par excellence at which Raimon Bundó is a past master.

Cristina Arana has skilfully tapped into the brand's essence, evoking the golden days and in which the Raimon Bundó hallmark is unmistakable.

As the utmost purveyor of elegance and quality, this season Raimon Bundó gifts us with a collection full of ?savoir faire ? where natural silks, mikados, dupions, etc. come to the fore, fabrics always painstakingly selected.

On the other hand, an energetic and brilliant collection designed by Ivonne Ruiz, Ir de Bundó, sees the light. A totally different and alternative line for a special girl who wants to dress as she sees fit.

The collection is born of the free movements of the waves and the air that drives them. A collection that shines as brightly as the sun that rises every day and makes us feel happy and free if only for a few instants.
The fabrics just had to be tulles and gauzes, although there are others. Slightly worn and aged tones and old gold complete the range.

Ivonne Ruiz collaborates with a subtle touch in the Raimon Bundó line and gets both lines to converge in a core item, the corselet. In Raimon Bundó she uses the corselet to highlight an essentially traditional, albeit still contemporary style. In Ir de Bundó she recovers this attractive complement to strike a balance between the traditional and rigid and the contemporary and de-structured. The exchange of fabrics was also fundamental in uniting two highly different lines under the same brand.